Waxahatchee’s “Much Ado About Nothing” Is a Quiet Triumph After ‘Tigers Blood’
Katie Crutchfield, better known as Waxahatchee, has once again captured the indie music scene’s attention with her new single “Much Ado About Nothing.” Following the release of her 2024 album Tigers Blood in March, this track feels like a natural progression for Crutchfield as she continues to explore themes of self-reflection and personal growth. The song is accompanied by a slice-of-life music video directed by Anna St. Louis, which offers an intimate look at Crutchfield’s life post-tour, reinforcing the quiet, contemplative energy of the single.
“Much Ado About Nothing” marks Crutchfield’s first release since wrapping up a tour that stretched from April to September. While Tigers Blood was a bold, sweeping album that delved into her experiences with sobriety and self-acceptance, this single opts for a more subdued and introspective tone. It doesn’t need the grandeur or cathartic climaxes of her previous work; instead, it finds power in its simplicity. Crutchfield’s gentle, plaintive vocals and stripped-back instrumentation invite listeners into an intimate, emotional space—something she’s long been celebrated for.
What stands out most about this track is Crutchfield’s quiet confidence. There’s a maturity in her songwriting that reflects the journey she’s been on, not just since her sobriety but throughout her career. Her previous albums were marked by turmoil and the struggle to find peace. Now, with “Much Ado About Nothing,” Crutchfield appears content to let things settle, to reflect on the space she’s in without the need for dramatic reinvention.
Musically, the track remains minimal, with delicate guitar strums that allow Crutchfield’s voice to take center stage. There’s no rush, no push to overcomplicate the song’s structure. This simplicity allows her to focus on what she does best—conveying raw emotion with an authenticity that few can match. It’s a shift in tone from the more ambitious sound of Tigers Blood, but one that feels entirely in line with where Crutchfield is now as an artist.
This single comes at a perfect time for Waxahatchee fans who have followed Crutchfield’s evolution. After a highly successful tour, “Much Ado About Nothing” serves as a reflective capstone to an impressive year. With her upcoming participation in the 2025 Big Ears Festival alongside acts like ANOHNI And The Johnsons and Helado Negro, it’s clear that Crutchfield has plenty more to offer, even if her current focus is on quieter, more introspective music.
In a music landscape often dominated by bombast and overproduction, Waxahatchee’s ability to find beauty in restraint is refreshing. “Much Ado About Nothing” may not have the same explosive energy as some of her previous work, but it showcases a different kind of strength—the strength to sit with oneself and accept the quiet moments. It’s a fitting follow-up to Tigers Blood, further solidifying Katie Crutchfield’s place as one of the most compelling voices in indie music today.
